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gothicgirl888's blog and others' comments
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Gothic Jewellery
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25 Views
09/27/07
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If you are looking for gothic jewellery then look no further then Gothic Style. The gothic shop has a massive range of gothic jewellery at some of the lowest prices online.
Gothic Style sells Gothic crosses and crucifixes, gothic pentagrams, mystic gothic symbols, daggers and weapons. They even hold stock of silver bullet pendants just in case of werewolves!
If you are on a tight budget then visit the Pauper?s Grave link where they have gothic pendants for just ?1.99.
Anti Christ CrossThe Anti-Christ cross pendant is designed by BlackWidow, and crafted from the finest steel and flooded with lustrous black laquer.
The Anti Christ cross weighs a solid 28g. It is very heavy and feels fantastic around your neck. It measures about 45mm tall and comes complete on an 18 inch rubber cord and comes in a smart presentation box.
The Black Agate Ribbon Heart Necklace is a classic Gothic look.
It is a Faceted black agate stone heart on a twin organza ribbon necklace.
It measures 41cm long and with sterling silver fastenings, and the black heart measures 30mm by 30mm.
Blackwidow Razor On RubberThe Blackwidow Razor On Rubber is a superbly detailed razor necklace in polished steel on an 18 inch black rubber cord. The razor looks exactly like the real thing but has safely blunted edges. This piece is part of our exclusive BlackWidow brand and is etched with the authenticity mark on the reverse.
The razor necklace is supplied in a cool presentation box.
To view the above pieces and any that are reviewed elsewhere on Other Clothing.
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Fashion
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17 Views
09/27/07
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There were two main influences on goth fashion: bands and the Batcave.
Bands
The main influences here were probably Bauhaus, Siouxsie and the Cure. Other bands were influential later, but in the early period these three bands defined the goth look. Not only were they seen live, and occasionally on television, but pictures of Siouxsie, Pete Murphy, Daniel Ash and co appeared quite regularly in the music press and on their records. Any striking look will attract imitators and Siouxsie in particular spawned a host of clones- in fact she has claimed, with considerable justification, that she invented the goth look, at least for women.
The Batcave
Obviously, individual Bauhaus and Banshees fans were already looking "goth" before the Batcave opened, but the Batcave can probably be held responsible for turning the goth look into a "fashion" as such- it got a lot of exposure in the press, pictures were seen by people around the country and the basic style was copied. Specimen and Alien Sex Fiend, both Batcave bands, were also very influential in the developmdent of the goth look (in particular, Jonny Slut from Specimen- there is a large section in Mick Mercer's Goth Rock book about that).
Quotes:
From an article entitled "The Gloom Generation,"by Suzan Colon which appeared in the July 1997 edition of Details Magazine:
DANIEL ASH: Within six months of starting, Bauhaus started getting the black-wearing audience and seeing the kids dressing up like us. We used to call them the androgynous space demons. Or the wildebeests.
IAN ASTBURY: Some of the bands, like Specimen and Alien Sex Fiend, had jet-black hair, black eyeliner, black fishnets -- a futuristic vampire thing. It came more from glam than from any kind of grave robbing. It was just a reaction against the New Romantics, because they were just so posey and shallow.
IAN ASTBURY: There was also a flirtation with pre-Nazi decadence, that sultry, smoky period from l...
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Punk
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13 Views
09/27/07
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Goth evolved from punk. Most of the important early goth (or "gothic") bands - the Banshees, Joy Division, UK Decay- had at one point been punk bands, and something of the spirit of punk passed into the early goth movement.
By 1981, British punk had devolved into two main groups: Oi! and the anarcho movement centred around Crass. Neither side had much to offer musically, and some journalists looked to rising goth bands like Southern Death Cult as keeping the spirit of punk alive. Hence the tag Positive Punk which was applied to some of these bands.
Musically, many of the early goth bands differed from punk in that they'd discarded the use of buzzsaw guitars, instead using tribal drums with shards of guitar thrown over the rythm section. The lyrics and imagery were also changing, tending towards the dark and morbid rather than the straightforward and political. However, there was no clear dividing line, and many of the early goth bands played with and/or shared labels wirth punk bands.
From a fashion point of view, goth still shared much in common with punk, particularly as regards spiky hair, ripped clothing and mohawks (though the classic goth mohawk tended to be black and a lot wider). Since the Banshees were for a while still regarded as a punk band, the "Siouxsie-clone" look was by no means restricted to proto-goth girls, and a lot of the early gig-going crowd looked a lot more punk than goth.
As regards contacts between the subcultures, for a long time goth was part of punk, and it was a while before it became a subculture in itself rather than a subdivision of punk. After about 1983, however, goth had emerged as a separate subculture and became increasingly separate from punk in both music and style.
As a snapshot of the punk scene at the time, here's a couple of quotes from Abbo of UK Decay in US magazine Flipside in April 1981:
Al: How is the audience for you and the bands you play with?
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An Early History of Goth
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14 Views
09/27/07
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This site is an attempt to give an outline of the beginnings of the goth movement, between 1979 and 1984. It's also an attempt to shed some light on generally unanswerable questions such as When did goth start?, Why did it get called goth? etc.
(and for those of you who are wondering, I've written a brief introductory guide to what is goth?)
At present this site is still very much Work In Progress, and comments, suggestions, information and corrections are welcome, especially if you've got information or insight into the early scene. So please feel free to mail me.
Most of the chronological information on this site is gleaned from George Gimarc's invaluable Punk and Post-Punk diaries, with additional information from Mick Mercer (and his Gothic Rock books), old copies of NME/Sounds/Melody Maker, my record collection, my very fallible memory and various people on the net. Huge thanks to all of them, and especial thanks to Bob for doing the Cascading Style Sheets version, Hatty for the Zig Zag article, and to Greylock for the Positive Punk article. Also many thanks to Peter H Coffin for giving me extra web space to cope with the inevitable overflow and to Gavin Baddeley (author of Goth Chic) for donating a recent article about the history of goth.
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